Tate Modern have hosted a photographic documentary aimed to encapsulate the concept of objective photography, in other words photos that aren't contrived in any manner by posture and posing. From celebrity lense-capturer Alison Jackson and Helmut Newton to the grotesque and outright of voyeurisim, the exposed exhibition itself promulgates the emblematic effect that the camera has on human perspective in the 21st century. By the penultimate room, the eye questions how liberal it can really be when what is being captured isn't as sightly as what is normally seen.
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